Moriz Oberberger
Graphic Design


hc.re1571318075grebr1571318075ebozi1571318075rom@o1571318075fni1571318075

+31 6 19 02 60 71


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Title

Field

Year

Digital Skills and Spaces

1Digital Skills and Spaces

Visual Identity

2019

Visual Identity for the program “Digital Skills and Spaces” at the ZHdK. The illustrations and animations narrate a speculative story and play a crucial role in the visual identity. The illustrations are used both in digital as well as in printed matter.

CLIENT:

Renato Soldenhoff, Charlotte Axelsson (ZHdK, Zurich)

 

MATERIALS:

Logo, Animations, Poster

 

YEAR:

2019

Tilting Axis Fellowship

2Tilting Axis Fellowship

Animation

2019

Interactive Animation for the Webcover of the Open Call of Titling Axis Fellowship addressing mid-career established researchers, artists, designers, writers, curators or cultural producers based in the Caribbean region. The fellowhship is organised by Het Nieuwe Instituut in collaboration with Amsterdam Museum, De Appel, The Black Archives and Witte de With Museum. For experiencing the animation visit the following website.

www.tiltingaxisfellowship.hetnieuweinstituut.nl

CLIENT:

Het Nieuwe Instituut, Rotterdam

 

MATERIALS:

Interactive Animation

 

YEAR:

2019

From A to Being

3From A to Being

Booklet, Performance

2019

This booklet was published on the occasion of “Nobody Remembers A Shapeshifter” Modeshow 2019, an event hosted by Werkplaats Typografie. The text springs from computer generated sentences and is thought of as a composed selection of contemporary shuttle service claims. The booklet was part of the performance “Shuttle Service D’Angelo”.

CLIENT:

Self-initiated in collaboration with Rebecca Metzger

 

MATERIALS

Booklet

 

YEAR

2019

Paso a Paso

4Paso a Paso

Book

2019

Paso a Paso” is a social and artistic project, about the universal necessity of food in all its forms and its role in making central American migration negotiable. The work started in Mazatlán (Mexico) with “Las Patronas,” a group of women who cook daily for passing migrants. Las Patronas throw food packages on top of the La Bestia carriages, the freight train going from the border of Guatemala and Mexico to the United States. Other migrants stay with Las Patronas for several days to eat and rest before continuing their journey on foot. The project’s work became a collection of recipes, interviews, and pictures. The project can be seen as a trip through a no man’s land of culture, language, religion, origin, customs, taste, that symbolizes the wanderings of migrants. The photos by T’Hooft try to move away from documentary techniques that zoom in on tragedies. The tragic aspects of Central American migration are undeniable, but the warmth and beauty of Las Patronas are also part of the story.

CLIENT:

Martha T’Hooft, Kask Ghent

In Collaboration with Rebecca Metzger

 

MATERIALS:

Book

 

YEAR:

2019

 

ISIA WT Summerschool 2019

6ISIA WT Summerschool 2019

Game, Website

2019

For 11 years these two schools organize a summer school in Urbino. This year’s edition and sign up for the summer school is designed in the form of a game where the visitor of the website is put into a fictitious building. The rooms of the building refer to the real rooms of the two schools. In this virtual voyage, visitors go through various scenarios and have the opportunity to collect souvenirs, left behind by the students. Also, they should find the oracle Oguh, which provides valuable information about the summer school and access to the registration form granted. For experiencing the game visit the following website.

www.summerschool-isia.werkplaatstypografie.org

CLIENT

ISIA Urbino, Werkplaats Typografie Arnhem

 

MATERIALS:

Website, Game, Illustrations

 

YEAR:

2019

Bunte Steine

7Bunte Steine

Catalogue, Poster

2019

Catalogue, poster and invitation for the group exhibition „Bunte Steine“ in the Georg Kolbe Museum in Berlin.

CLIENT:

Georg Kolbe Museum Berlin

 

MATERIALS:

Poster, Catalogue, Program

 

YEAR:

2019

Narr Nr.26

9Narr Nr.26

Editorial, Illustration

2019

10 illustrations for the issue Nr.26 of Narr, a literature magazine from Switzerland.

CLIENT:

Narr Literature Magazine, Mirko Leutenberger

 

MATERIALS:

Illustrations

 

YEAR:

2019

Agency & Choice

10Agency & Choice

Book Cover

2019

Cover for the PhD thesis „Agency & Choice – On the cognitive and conceptual foundations of agency in economics and behavioral decision research of philosopher James D. Grayot.

CLIENT:

James D. Grayot

 

MATERIALS:

Cover

 

YEAR:

2019

Gran Colectivo Pantitlán

11Gran Colectivo Pantitlán

Flyer, Poster, Visual Identity, Website

2018

Visual identity for Gran Colectivo Pantitlán. It is a Mexican collective of artists, scientists, and cooks, based in Amsterdam.  The collective organizes in changing venues and different constellations Events that reflect the Mexican culture in all its facets.

www.grancolectivopantitlan.com

CLIENT:

Gran Colectivo Pantitlán

 

MATERIALS:

Logo, Poster, Flyer, Animations, Website

 

YEAR:

since 2018

While I was filling the container with water

13While I was filling the container with water

Billboard

2018

Here you meet Herta, an old lady. This fictional character is for Moriz an intimate partner for conversations. Herta brought her daily life actions to perfection. She is the personification of the present. Her life experiences brought her to this point. Herta’s life is unscheduled, although she has absolutely no spare time. Every movement leads simply to the next one. It makes her aware of the essential creature of herself.

For the occasion of this billboard, Herta is in the WT building, more specifically in the kitchen. The kitchen is the heart of this school. It is the social meeting point for the first coffee of the day, for communal lunches, discussions, and games. It is a space where new ideas occur. This scene is, therefore, a snapshot of a typical situation during a WT day, where the environment constantly transforms, gives new input for the work and where you occasionally will come across traces of other participants.

CLIENT:

019 Ghent, Museum of Moving Practice

 

MATERIALS:

Billboard

 

YEAR:

2018

An Original Copy

14An Original Copy

Book

2018

An original copy – Gilberto Hiraldo Barrientos, This is the story of a tropical book pirate, presented as part of Boiling Room for Hot Reading, Werkplaats Typografie at the New York Art Book Fair 2018, Boiler Room, MOMA PS1, NYC, September 2018

CLIENT:

Self-intiated in occasion of New York Art Book Fair 2018

 

MATERIALS

Book

 

YEAR:

2018

Daniel & Rudi – A telephone book

15Daniel & Rudi – A telephone book

Book, Illustration

2018

Daniel R. & Rudi O. loved their books. Over the course of their lives, they collected around 30.000 all together. This book is a record of the telephone conversations these two men may or may not have had.

CLIENT:

Self-initiated, Residency of WT at Artbook Library Sitterwerk, St. Gallen

 

MATERIALS:

Book

 

YEAR:

2018

Los Amigos de la Calle

16Los Amigos de la Calle

Newspaper, T-Shirt

2018

Los Amigos de la Calle is a project telling the stories of the ignored characters of the streets of Mexico. Characters of the Grafica popular in Mexico used as symbols for grocery shops, bakeries, hairdressers or laundry rooms. In this first edition, those characters are translated into a silk-screen printed T-Shirt in black and red with illustrations from unknown Mexican artists and a newspaper with 3 short stories by Ana Lucia Vargas Sandoval.

CLIENT:

Self-intiated

In Collaboration with Ana Lucia Vargas Sandoval

 

MATERIALS:

T-Shirt printed with Silkscreen, Newspaper printed with Riso

 
YEAR:

2018

Supersize #2

17Supersize #2

Book, Sweater

2018

Supersize #2 is the second iteration of a series of large-scale drawings translated into three different formats; a book, a sweater, and a mural. It is a collaboration with the streetwear brand Pay’s from Mexico City.  Launched at LLGallery in Mexico City in January 2018.

CLIENT:

Pay’s, Mexico

 

MATERIALS:

Knitted Sweater, Artist Book printed in Riso

 
YEAR:

2018

fin Projects

18fin Projects

Visual Identity

2017

fin is an innovative company with finesse and a focus on priorities. Sustainability is the key foundation to the product and design development and the value chains which surround it’s creation. They rely and focus on traceable, socially and ecologically responsible value chains.

 

With Project #1, fin has developed a sustainable and traceable leather value chain – from Swiss farmers to the final product. Behind each of these processing steps are people and companies who have comitted themselves to the project through their experience and knowledge, and share their passion for a responsible leather industry.

 

We created the whole visual identity for fin, including a Journal, a foldeable Lookbook poster, businesscards, hangtags, website, packaging, postcards and a small exhibiton for the launch.

PHOTOS
Juliette Chrétien
David Suter
PRINTER
Herr & Frau Rio, München

 

WEB DEVELOPMENT
Julian Schmidt

 

fin-projects.ch

June 2017

Every Time A Ear di Soun – Public Radio Documenta 14

20Every Time A Ear di Soun – Public Radio Documenta 14

Poster, Visual Identity

2017

Documenta Website:

„Every Time A Ear di Soun is a documenta 14 Radio Program in collaboration with Deutschlandfunk Kultur that explores sonority and auditory phenomena such as voice, sound, music, and speech as mediums for writing counter-hegemonic histories. Every Time A Ear di Soun reflects on how the sonic impacts subjectivities and spaces, especially through the medium of radio.

 

For the duration of documenta 14, nine radio stations in Greece, Cameroon, Colombia, Lebanon, Brazil, Indonesia, the United States, and Germany constitute a worldwide art exhibition on air.“

In collaboration with Studio Laurenz Brunner we developed a foldable poster with the program and a booklet.

 

For Studio Laurenz Brunner
April 2017

Supersize #1

22Supersize #1

Book, Illustration

2016

This is the first iteration of a series of very large drawings translated into different formats; a book and a mural. The depicted scene is the outcome of personal observations and stereotypical representations of the ordinary daily life of a friend in Munich. The book functions also as a big drawing book.

The mural his hanging in a friends Studio in Munich.

3-color Riso printing

November 2016

Textinstallation

23Textinstallation

Manual

2016

Documentation booklet for the craftsmen Leo & Friedel. They installed a textinstallation of Tine Melzer in collaboration with Büro 146 on the housefacade of Alpenhof.

PRINT
2-color Risoprint

November 2016

Perché Vario Haus

31Perché Vario Haus

Catalogue

2014

Catalogue that features 16 built homes in Brescia, Como, Trentino, Treviso, Reggio Emilia, Verona and Vicenza of the italian house manufactury Vario Haus. The catalogue was presented during the Klimahouse 15 fair taking place in Bolzano.

CLIENT
Vario Haus Italia

 

FORMAT
170 x 240 mm

 

PAGES
160

 

PRINTING
Offset

 

BINDING
Perfect binding

 

 

DATE
January 2015
In collaboration with Max Schachtner

Acoustic Drawing Method

33Acoustic Drawing Method

Book, Program, Research

2014

By writing or drawing, a pen leaves visual marks. If you listen to it carefully, beside this visual outcome, the pen produces an acoustic effect as well. The topic of this project is to focus on this acoustic effect. The pen is the main actor of this research. This design approach called “Acoustic Drawing Method” switches over the perspective from the visual to the acoustic.
The parameters defined within this method are based on acoustic decisions. This method generates a new visual language defined by the acoustic aspect. The book is a catalogue of all those visual marks: it is a documentation of their sounds. It shows 177 different signs of ten different pens: the catalogue therefore includes 1770 rhythms. Furthermore, the book contains a detailed introduction to the method, gives a insight into the developement process and includes a number of visual outcomes.
The program is the other essential part of the project and contains all the acoustic material. All 1770 audio-files can be explored within this program.

Bachelor Diploma at the
Zurich University of Arts
in collaboration with Fabienne Wyss

 

BOOK
297 x 420 mm
500 pages
Perfect Binding

 

PROGRAM
www.acousticdrawing.com

 

VIDEO
Youtube

 

Exhibited in March 2015 at the
‘It’s a book’ independent publishing
fair taking place at the Academy
of Visual Arts Leipzig, in correspondence
to the Leipzig Book Fair.

18/07/13

3518/07/13

Document

2013

Developed at the Werkplaats Typografie Summerschool 2013: The topic for the 2 weeks workshop in Urbino was History – Story. We were free to develope a historical project related to the history of Urbino itself or to tell our own story.

This document contains text , transcribed from recordings made during that day. In addition to that, a photo was taken every minute. By doing that we tried to catch the atmosphere of the Werkplaats Typografie Summerschool in Urbino 2013.

BOOK
210 x 297 mm
ca. 500 pages
Punch hole binding
In collaboration with Max Schachtner
July 2013

 

SUPERVISOR
Armand Mevis
Maureen Mooren
Barbara Visser
Leonardo Sonnoli

 

Exhibited in March 2014 at the
‘It’s a book’ independent publishing
fair taking place at the Academy
of Visual Arts Leipzig, in correspondence
to the Leipzig Book Fair.

 

Exhibited in June 2014 at the
26th International Biennial
of Graphic Design Brno.

 

Published in the catalogue
of 26th International Biennal
of Graphic Design Brno 2014.

Archiv Hygiene

36Archiv Hygiene

Installation

2012

This installation shows through objects, text and illustrations an unfinished archive of hygienic products. It was shown in the occasion of an exhibition about the history of Hygiene in Merano, Italy.